NY Film Festival: MAPS TO THE STARS
Mia Wasikowska plays the burn-scarred Agatha, who comes back to Hollywood after having set fire to her home years ago. Her dysfunctional family includes her father, Dr. Stafford Weiss (John Cusack), a self-help quack guru, his guilt-ridden wife Cristina (Olivia Williams), and her brother Benjie (Evan Bird), a child star who makes Justin Bieber seem a model of mental and social togetherness. Agatha ends up becoming the assistant to has-been, fading actress Havana Segrand (the brilliant Julianne Moore, who won the Best Actress Award at this year's Cannes Film Festival for this role) who will give anything to play the role of her dead mother, a Hollywood legend who died tragically in a fire, and whose ghost now haunts her deranged daughter.
There have been great satires of Tinsel Town: Billy Wilder's Sunset Boulevard and Robert Altman's The Player come to mind, as well as Nathaneal West's 1939 novel The Day of the Locust (adapted into film in 1975 by the great John Schlesinger.) But none are as toxic as this film. Screenwriter Wagner doesn't just hold the mirror up to nature, he seems eager to smash it in our faces after showing us the bacteria that is growing behind the façade of the beautiful and the damned.
Cronenberg is, once again, at the top of his game, leading Julianne Moore into what surely will be an Academy Award nomination. A great performance, whether she is screaming in self-loathing, while in the lotus position, for having lost a part, or dancing for joy at the consequences brought on by the death of a child. Her rabid performance is counteracted by Ms. Wasikowska's eerie, underplayed approach to her part. Together, the two offer a contrasting lesson in fine acting in a great story that, like Greek drama, often has the power to frighten while moving us to tears.