Tuesday, September 25, 2018
SAMSON ET DALILA: Opening night of the MET
The new staging was directed by Darko Tresnjak, a Broadway director of some reknown (A Gentleman's Guide to Love & Murder, and Anastasia) making his MET debut. It has been the goal of General Manager Peter Gelb to bring new blood into the opera house by engaging Broadway directors to breathe new life into the warhorses. So far his record is a spotty one, and last night might have been another failing experiment. The production, with sets by Alexander Dodge and costumes by Linda Cho brings us nothing more than a kitschy staging, exactly what Peter Gelb is trying to move away from. Some of the sets looked like the circles on the proscenium of Radio City Music Hall. The set of the final act in the temple of Dagon is a technicolor monstrosity that even Cecil B. DeMille would have rejected. As a matter of fact, DeMille's 1949 film of this story features a memorable epic set which Victor Mature topples down. Ms. Cho's costumes seem to also come right out of old-time Hollywood; maybe the Babylonian section from D.W. Griffith's 1916 film Intolerance. I'm sure that in 1916 these costumes would have been right at home at 39th Street and Broadway, at the old MET.