Sunday, September 29, 2019
The Irishman is a sprawling, lengthy film, clocking in at 209 minutes, where the director once again brings to life the familiar world of organized crime and populates it with some of his regulars. In its approach it feels like Scorsese's personal apotheosis of a genre he has kept alive for decades. We have Robert De Niro, who plays Frank Sheeran, whose nickname is the Irishman, a career mob hitman. Harvey Keitel in a small but important cameo role as a mob boss, and Joe Pesci, whose performance is a revelatory study in subtlety, and a 360 degree turn for this actor who came out of retirement to play this role. To these Scorsese regulars, the director has added Al Pacino, with whom he had never worked before. Pacino plays Jimmy Hoffa, the labor leader who disappeared in 1975, and who was presumably executed by the mob. Pacino's performance might seem a bit large compared with the subtlety of the other principals, but this is in keeping with the bigger-than-life character Hoffa created for his public persona, and which was embraced by his Teamster brothers.
In the hands of the director and his gifted cinematographer Rodrigo Prieto, The Irishman becomes a rumination on organized crime, and a personal study of a lifetime creating films in this inimitable genre. With muted colors, and a dark palette, the film is about the end of something. It's the Omega of the Scorsese mob movie, populated with the kind of cast that could probably not be possible to assemble again. If Goodfellas, with its bright sunny colors and upbeat rhythms, was his career's Alpha, then the somber but brilliant Irishman is its logical twilight.
In featured parts there are great performances by Bobby Cannavale, Ray Romano, and Sebastian Maniscalco as mobster Joe Gallo, whose murder in Little Italy's Umberto's Clam House is carefully recreated. In a very small role Anna Paquin is unforgettable as Sheeran's daughter, a woman who learns about the kind of work her father does, and eventually wants nothing to do with him. Her recognition scene is poignant despite its subtle, minimalist approach.
The Irishman had its world debut this weekend at the New York Film Festival, and will have a limited theatrical run before it can be streamed on Netflix. According to Wikipedia "The film will not play at the theaters owned by AMC, Cinemark, Regal, or Cineplex because the "four week progression to SVOD remains unacceptable to those chains." It was previously reported in February 2019 that Netflix would possibly give the film a wide theatrical release, at the request of Scorsese. The heads of several theater chains, including AMC refused to play Roma the previous November, said they would only be open to playing The Irishman if Netflix respects the decades old theatrical window, that suggests that movies come to theaters first for a couple of months, and then go to the home."
The way to see The Irishman is in a theater, preferably one that's full with movie lovers, so make every effort to do so despite the lack of places that might show it.
Tuesday, August 13, 2019
The LA Opera, an institution that Domingo has served for over thirty years will engage outside counsel to investigate these allegations. However the San Francisco Opera has cancelled all of Domingo's upcoming performances in October citing these allegations. They went on to give a statement to CNN. "Though the alleged incidents reported did not take place at San Francisco Opera, the Company is unable to present the artist on the War Memorial Opera House stage. San Francisco Opera is committed to its strong anti-sexual harassment policy and requires all Company members to adhere to the highest standards of professional conduct. San Francisco Opera places a great priority on creating a safe and secure environment where everyone can focus on their work and art, and in which colleagues are treated with respect, dignity and collegiality."
The Metropolitan Opera, the musical organization with which Domingo is perhaps best known for, has yet to comment on these accusations.
Mr. Domingo offered the following statement to CNN: "People who know me or who have worked with me know that I am not someone who would intentionally harm, offend, or embarrass anyone. However, I recognize that the rules and standards by which we are -- and should be -- measured against today are very different than they were in the past. I am blessed and privileged to have had a more than 50-year career in opera and will hold myself to the highest standards."
Friday, August 09, 2019
Tardigrades, as you can see by the picture above, are pudgy little animals no longer than one millimeter long. They live in water or in the film of water on plants like lichen or moss, and can be found all over the world, in some of the most extreme environments, from icy mountains and polar regions to the balmy equator and the depths of the sea.
Along with the creatures, the ship also carried an archive of 30 million pages of information about planet Earth, as well as human DNA samples and a payload of the little creatures which had been dehydrated.
According to Nova Spivack, co-founder of the mission, "Best-case scenario is that the little library is fully intact, sitting on a nice sandy hillside on the Moon for a billion years. In the distant future it might be recovered by our descendants or by a future form of intelligent life that might evolve long after we're gone. From the DNA and the cells that we included, you could clone us and regenerate the human race and other plants and animals."
As far as the tardigrades are concerned, they will not be able to reproduce or move around in their dehydrated state, but if they survived the crash and are rehydrated they can come back to life years later.
Thursday, August 08, 2019
Opening Night The Irishman Dir. Martin Scorsese
Centerpiece Marriage Story Dir. Noah Baumbach
Closing Night Motherless Brooklyn Dir. Edward Norton
Atlantics: A Ghost Love Story Dir. Mati Diop
Bacurau Dir. Kleber Mendonça Filho and Juliano Dornelles
Beanpole Dir. Kantemir Balagov
Fire Will Come Dir. Oliver Laxe
First Cow Dir. Kelly Reichardt
A Girl Missing Dir. Koji Fukada
I Was at Home, But… Dir. Angela Schanelec
Liberté Dir. Albert Serra
Martin Eden Dir. Pietro Marcello
The Moneychanger Dir. Federico Veiroj
Oh Mercy! Dir. Arnaud Desplechin
Pain and Glory Dir. Pedro Almodóvar
Parasite Dir. Bong Joon-ho
Film Comment Presents
Portrait of a Lady on Fire
Dir. Céline Sciamma
Dir. Lou Ye
Dir. Justine Triet
Dir. Nadav Lapid
To the Ends of the Earth
Dir. Kiyoshi Kurosawa
Dir. Marco Bellocchio
Varda by Agnès
Dir. Agnès Varda
Dir. Pedro Costa
Dir. Olivier Assayas
Dir. Corneliu Porumboiu
The Wild Goose Lake
Dir. Diao Yinan
Dir. Jean-Pierre and Luc Dardenne
Dir. Bertrand Bonello
Thursday, August 01, 2019
Those were the old musicals I knew. When I started going to Broadway shows during high school and college, I realized the man was active, and collaborating with Stephen Sondheim, the greatest living composer/lyricist. That's when I saw Sweeney Todd, my first Hal Prince musical. I saw the original cast three times. I went back to discover the previous Prince/Sondheim creations: A Funny Thing Happen on the Way to the Forum, Follies, Company, A Little Night Music (based on Ingmar Bergman's film Smiles of a Summer Night), and Pacific Overtures, a masterpiece about the opening of Japan by Commodore Perry, that flopped on Broadway on its initial run: a condemnation of American imperialism in 1976, the American Bicentennial year. There were Tony Awards galore, and music that has become part of Broadway lore. It was the 1980's, the time when Broadway decided to revive many of these musicals with their original stars. To this day the revival of Fiddler, with Zero Mostel reprising his role of Tevye is one of my treasured memories of Broadway.
Hal Prince went on to work with the British invasion of Andrew Lloyd Webber. He directed The Phantom of the Opera in the West End and on Broadway. To this day the New York production of Phantom, now in its 31st year of continuous operation, regularly grosses over $1 million weekly. It is also still running in London, and around the world productions of this work has been seen by over 140 million people. The original cast recording has sold over 40 million copies.
He is the last of the great producers/directors, and Broadway will not see the likes of someone like him again. He will be remembered as one of the great talents to grace the Great White Way.
Monday, July 29, 2019
With a budget reported to be $200 million dollars, the film is being distributed by Netflix, which hopes to outdo last year's Roma, a film by Alfonso Cuarón which won Oscars for Best Foreign Film and Best Cinematography, and which was the centerpiece offering at the NY Film Festival last year. A passion project for Scorsese, the movie also stars Harvey Keitel, Bobby Cannavale and Anna Paquin.
Following the NY Film Festival showing and a short theatrical release, the film is set to stream digitally late in 2019.